"But there was one recess in the wall, no larger than a bird-cage, which was the private apartment of Tinker Bell. It could be shut off from the rest of the house by a tiny curtain, which Tink, who was most fastidious [particular], always kept drawn when dressing or undressing. No woman, however large, could have had a more exquisite boudoir [dressing room] and bed-chamber combined. The couch, as she always called it, was a genuine Queen Mab, with club legs; and she varied the bedspreads according to what fruit- blossom was in season. Her mirror was a Puss-in-Boots, of which there are now only three, unchipped, known to fairy dealers; the washstand was Pie-crust and reversible, the chest of drawers an authentic Charming the Sixth, and the carpet and rugs the best (the early) period of Margery and Robin. There was a chandelier from Tiddlywinks for the look of the thing, but of course she lit the residence herself. Tink was very contemptuous of the rest of the house, as indeed was perhaps inevitable, and her chamber, though beautiful, looked rather conceited, having the appearance of a nose permanently turned up. "
The passage intends to describe a luxurious and comfortable home that belongs to Peter Pan's 'apprentice, Tink, that may reflect her envious persona. These descriptions creates an impression of extravagance and pampering. She owns a living space filled with tasteful furniture, including an "exquisite boudoir and bed chamber combined."Despite living in a home only the size of a bird cage, there is a list of visual imagery being developed to emphasise how well decorated and incomparable her standards were in contrast to the rustic underground lifestyle of the Lost Boys and Wendy. Furthermore, she had a couch that was a genuine Queen Mab and a bedspread that was accustomed to seasonal fruits. This indicates that Tink loved to indulge and valued herself to be like "Queen Mab" or the queen of the fairies, having the ability to change her bed sheets whenever she pleased. Thus, her livelihood was much more pleasant and not based on a survivalist level. Her chamber continues to be depicted as being beautiful yet faces criticism towards the end of the passage, personifying it be "rather conceited and having the appearance of a nose permanently turned up." The living qualities added to her room closely relates to her being selfish and proud, much like someone who sticks their nose up and views others lowly. In reality, she is unable to adjust to change very often and feels important by being a female fairy amongst a community of young boys.